Developmental Editors and Beta Readers—the Need for Both #AuthorToolboxBlogHop

            Revising a manuscript can be a nightmare, or it can be a calm reevaluation of your story.
           
I know, I know. To combine the word calm with writer in revision sounds like an oxymoron. Like freezer burn or bittersweet. An oxymoron is a combination of two contradictory terms. Or maybe I’m the only UN-calm writer. I’m usually flustered about something. 
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But staying calm during revision doesn’t need to be an oxymoron in terms. A solid revision requires a good reader for your story. Someone who knows story and what makes it work. This could be an editor, a book coach, or a trusted fellow writer or two.
This revision reader looks at your story as a whole. This reader needs to make sure the story holds together and the characters act consistently with the backstory you have created for them. And it’s a good idea to allow this trusted reader in on early versions of your story.
What I’m talking about is Developmental Editing. This should be the first step in the revision process. It can be done by a professional editor or a book coach. And can be helpful near the beginning of your story’s journey. Developmental editors or book coaches are there to be sure your story has no major plot holes. They make sure the characters are well-developed.
Developmental Editing is very important to your story’s success and shouldn’t be left for Beta Readers unless you have a trusted, accomplished story-writer friend who can show you what’s missing in your story.
Beta Readers are a wonderful part of revision AFTER you have your story down. I can’t wait to offer my memoir to Beta Readers. Usually writers want Beta Readers to address specific questions in their manuscripts.
For example:
Is the timeframe and location clear in each scene?
Where do you lose interest? Why, do you think?
What questions remain unanswered about the plot or who’s who?
Is the emotion on the page?
Do you get lost anywhere?
Beta Readers offer their opinions on sections of your story. They are great to give feedback from the point of view of an average reader to the author. This feedback is used by the writer to fix remaining issues with plot, pacing, and consistency.
I prefer an open dialogue with anyone who reads my stories. If they have questions about a passage, I like to have an opportunity to explain what I’m trying to say in the scene. Then I ask the reader what his interpretation of the scene is. Only then can I see what’s missing from the story.
As writers, we are very close to our stories, our characters. What we think is in the story, may not be when someone who does not know the story reads it. And yes—Developmental Editors tell you these things too.
You pay for Developmental Editors. You shouldn’t pay for Beta Readers. You are paying for the Developmental Editor’s expertise in the business of storytelling, of creating viable books for sale. They are the more expensive editors, when preparing a book for publication, as opposed to line editing—which is done at the completion of all other revision work for the story. Another important step to have completed.
I have used a book coach, originally from Author Accelerator, to create a solid version of my college memoir. I took a few months off from my memoir to create more YA short stories for the magazine market, to give myself distance from the memoir story. Now it’s time to pick up with my editor, Michele Orwin, and finish a final version of this memoir story.
Has anyone ever added scenes to their stories or memoir about what the protagonist was like before the inciting incident or before the story present? I’m interested in how you set up the scenes and where you placed them in your story. Please share any insight you may have in the comments section of Adventures in Writing. Thanks so much!
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30 thoughts on “Developmental Editors and Beta Readers—the Need for Both #AuthorToolboxBlogHop”

  1. I have added scenes about what the protagonist was like in the past, and I've done it at the crucial moment where that information is needed. A quick flashback or bit of exposition is often the better choice, but perhaps because of my genre (crime fic), I felt the scenes I did add were more impactful, because the scenes themselves were reveals. Hard to say what's the best option for all stories; it depends on the book.

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  2. Well done Victoria – it does sound as though things are coming together. We all need help at times … it's making sure it's what we need and that it's helping us improve our writing – without taking our voice out of our memoir, book or story. Take care – cheers Hilary

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  3. Yes! My books would go absolutely nowhere without beta readers, they are like my secret weapon. And I swear by getting a developmental editor to look at it, as well. I've had good experiences with developmental edits, they always make my story stronger.

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  4. That can work, Alex! Lucky you to have such treasured readers who understand your genre and have the logical mind to see that everything makes sense and works. Bravo!

    It's always a pleasure seeing you here at Adventures in Writing. Thanks so much for your note. Enjoy your weekend!

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  5. Thank you so much for your kind words, Dawn. I truly appreciate them. Yes, a developmental editor can help you see what you can't in your own work.

    Thanks for your note here at Adventures in Writing. Have a beautiful weekend!

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  6. Yes it does, Raimey. The key, I think, is to weave in the past–the reason for actions–when the protagonist could be thinking about them. And yes, I think a "quick flashback or bit of exposition" could be all that's needed so as not to interrupt the flow of a scene. I am still learning this, or possibly I don't see this during my first or second pass through the manuscript.

    It's always a pleasure seeing you here at Adventures in Writing. Thanks so much for your note. Enjoy your weekend!

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  7. This is so true, Hilary. This is why writers should research developmental editors or beta readers to be sure they see the writer's vision of the story and the meaning and reason for the writer's voice. It's a scary thing, isn't it? And this is true whether it is writing, religion, or medicine.

    Thanks for your note here at Adventures in Writing. Have a beautiful weekend!

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  8. Thank you for sharing your insight here at Adventures in Writing, S.E. I truly appreciate it. I've got a developmental editor. Now all I need to do, once the revision work is complete, is find some excellent beta readers. Enjoy your weekend!

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  9. The reason for this kind of editing, Anna, is that they can see where stuff is missing that can indeed add depth to our work.

    Thanks for your note here at Adventures in Writing. Have a beautiful weekend!

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  10. Thank you for your kind words here at Adventures in Writing, Charity. I truly appreciate them. I believe we need to get the developmental end of our story correct before line editing and then send it out to betas. Thanks for sharing your insight. Have a beautiful weekend!

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  11. Including mine, Joylene! You are correct. Writers are very much "too emotionally involved" in our stories to see any and all problems. Editors are vital.

    Thank you for your kind words here at Adventures in Writing. I truly appreciate them. Have a beautiful weekend!

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  12. I weave short flashbacks or thoughts into the main story of my memoir to pinpoint to experiences, characteristics, or back story in order to provide the readers with a better understanding about my personality or actions.

    I could use a developmental editor right now (yes, I waited for that until the end of the writing and revision process), but they are way too expensive. Still hoping for a publisher to pick up my work…

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  13. Absolutely how and why you weave in backstory, Liesbet. But man, is it difficult to do. Yes, developmental editors are more expensive than line editors. They get the pacing right and make sure everything you need is in the manuscript.

    You have such a fascinating story, Liesbet. I'm sure you will be picked up soon. I always appreciate your insight here at Adventures in Writing. Have a beautiful weekend!

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  14. Hello and welcome to Adventures in Writing Christy! If you have people you trust reading your manuscript and they understand writing and storytelling, you should be good. But a good developmental editor is worth her expertise in gold.

    Thank you so much for your comment here at Adventures in Writing. Enjoy your week and be safe!

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  15. Hello there, Victoria! First time commenting on your blog, you may notice… Gotta agree with you 100%, we need both. And it seems like you're finishing things up, which is great news. Anyways, hope to see you around, girl! 🙂

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